This image sums up what I love about old things.

It’s just a tin of dressmaker’s pins. It was made to be useful, but it was also made to be beautiful. The colours, the pattern, the way it’s all put together. It’s well-crafted. And just plain lovely. As my Nan would say, “They don’t make ‘em like they used to”.

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The Blue Hour

The Blue Hour is Brian W Ferry’s blog about photography. I found his work on lovely local blog Josephine Road. His images are simple and everyday, but they have a quietness about them. I think they’re lovely.

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So I’ve been kinda quiet on the blog-front the past few millenia… the fact is, I’ve been really busy. Let me fill you in on the whole story…

I made a few gift tags for my daughter’s Christmas market at school, and I thought ‘Hey, these are nice, I reckon I could sell them’. And that’s when things started getting a little crazy.

I took them to a couple local shops (more on these later), and they sold well, so I stayed up ridiculously late every night and made lots, developed a whole load of new products, started up an Etsy shop, and generally went berserk. Hence the start of younghearts – a project that I’ve been planning and fantasising about for the past four years. I’ve been having a ball! This is just the beginning, but I have big plans for my little venture. I’ll keep you posted. In the meantime, here’s some pics to give you an idea of what I’ve been up to…

All these goodies are available in my Etsy shop as well as locally in my younghearts shop. I’m always making new products, and am currently working on garlands, mobiles and bunting, to name a few. I’ll update you as I go along…

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Pretty Pinwheels

I had to make something for the annual craft market at my daughter’s school, and needless to say I left it till the last possible minute to get started. So I did a frantic search online for something simple to make, and Martha Stewart saved the day with her very easy pinwheel tutorial.

I got some double-sided scrapbooking paper for the wheels, but instead of using dowel rods, while we out walking the dogs we collected as many straight(ish)sticks as we could find. I’m pleased to say, they were a hit!

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Whistler painted “The Falling Rocket” in 1870. 1870!! How ahead of his time was this guy?! He got a lot of flack because his contemporaries just couldn’t appreciate what he was doing. At the time, art critic John Ruskin criticized the painting harshly, saying that “The ill-educated conceit of the artist… approached the aspect of willful imposture… I have seen, and heard, much of Cockney impudence before now; but never expected to hear a coxcomb ask two hundred guineas for flinging a pot of paint in the public’s face”.

Ah, you have to laugh! And it’s interesting to me because I come from a long line of Londoners, on my mother’s side you can trace our family back many generations all residing in Battersea. And whenever my sister and I misbehaved my grandmother would threaten to leave all her money to Battersea Dog Home.

But quite apart from that, I love Whistler – I love the japanese-ishness (is that a word?) of his work, his concern for the abstract design of each painting, and the way he leaves so much unsaid. He was brave and bold and he did his own thing, even in the face of much scoffing. Just take a look at these paintings – they’re brave even by today’s standards.


Whistler also painted a decorative mural in the home of Someone-or-other Leyland. The story goes that he was supposed to make minor changes to another artist’s work, “to harmonize” the room whose primary purpose was to display Leyland’s china collection.

But apparently Whistler got a bit carried away – “Well, you know, I just painted on. I went on—without design or sketch—putting in every touch with such freedom…And the harmony in blue and gold developing, you know, I forgot everything in my joy of it.”

When Leyland finally saw the room he was shocked by the “improvements.” He was not thrilled, and fired Whistler.  Later, Whistler gained access to Leyland’s home and painted two fighting peacocks meant to represent the artist and his patron; one holds a paint brush and the other holds a bag of money.

Whistler is reported to have said to Leyland, “Ah, I have made you famous. My work will live when you are forgotten. Still, per chance, in the dim ages to come you will be remembered as the proprietor of the Peacock Room.” And of course, time has proven him right.

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Lindsey Carr creates beautiful, delicate and fantastical works that seem to be somehow of another world. I came across her work a few years ago while I was preparing for a show called Playroom, a group show of art for children at Curious, Whetstone & Frankley (a lovely little gallery in Obs, Cape Town, sadly, now deceased).

Carr is a real inspiration for me because she is into different things but they all come together seamlessly.  She was one of the artists who made me realise that actually I can do lots of different things and they will all cohere because of the underlying vision running throughout.

Here is one of her paper theatres that so inspired my work for the Playroom show. You can see more of her paintings here and her toys here.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

And here is one of my 3D collages that I created for the Playroom.  You’ll find more of my collages here.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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I loved this film.  I loved that Coco Chanel dragged herself up from nowhere. She was gutsy and grabbed what lay out of reach and made it her own.  And she was going against the grain of everything that was in vogue in her time and she changed the face of fashion forever.  And of course, the clothes. Oh, the clothes…

Couldn’t resist including this beautiful profile of the real Coco Chanel, circa 1910

 

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One of my favourite things to do on a Saturday morning is check out the local fetes, car boot sales and markets.  Today I headed to Constantia for a church market and came away with some real treats, including a couple books that are teeming with colour botanical illustrations.  I’ll soon be ripping them up to make more collages like the ones below that I made for an exhibition of Erotic Art at Hout Bay Gallery. Can’t wait!   To see more of my collages have a look at my website.

Collecting classic children’s books for my two girls is another passion of mine, and today I picked up this one, Milly Molly Mandy was a favourite of mine when I was just a wee one. Aren’t the cover illustrations lovely?

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Emma van Leest

Emma is a Melbourne-based artist who creates beautifully intricate papercuts. I’m so inspired by her magical worlds and I’ve just discovered that she’s now ventured into jewellery, collaborating with design company Polli, who translate her papercuts into stainless steel.  As I’m mad about papercuts and about delicate jewellery, these really get my goat. Wonderful stuff!  

You can see more of Emma’s work here.

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